Many years ago, when we were new to each other, he told me, “I want to live someplace where its ninety at night.” Well, he said a lot of things. How was I to know how serious he was about this? I followed him from Annapolis to Portland Oregon, to California’s South Bay and finally to the Colorado desert outside Palm Springs. We settled on the “dirt” side of the freeway 20 minutes away from glitzy resort towns with their water-soaked, emerald-green golf courses. He found the last house on the road nestled up against the hills as they rose to the Joshua Tree plateau. So we gloried in star-spangled, 90 degree nights. He had found his heaven – and I had followed him.
Moving to the desert is like moving to Mars for northeastern stock like us. Your eyes have to learn to discern the gazillion shades of brown and forget about green. The year we moved there was a decent wildflower bloom. Not a super-bloom like this year, but enough to stir my decades-old training in biology. Each morning I rose as soon as the sun did and trekked out into the seeming brown void with the assuredness I would discover something new and remarkable. After all, it was all new to me!
I quickly noticed the common names of many of the plants pointed to the newbies who came before me. Were their brains so fried that they couldn’t seem to come up with unique names or perhaps they were just pining for the familiar plants of home?
They came up with “desert holly”, “desert dandelion”, “desert lavender”, “desert milkweed”, and the “desert willow” to name a few of the uninspired or wishful appellations. But when it came to naming the bewildering varieties of cacti amongst the ubiquitous brittlebush and creosote, they must have been reminded that they had slipped the traces of anything they knew previously into uncharted territory.
My scientific training and my husband’s artistic training led us to integrate this overload of newness in different ways. I was always wondering about this and that while he was in acceptance of things just as they were and letting it inform his creative muse. I wanted to identify and quantify while he breathed it all in. We were to find out that life in the desert is a highly-tuned organism that doesn’t necessarily follow a cycle.
We soon were in a drought and learned that things just don’t bloom if there’s not enough water. They can awaken and blossom in response to a light rain or stay asleep for years in its absence. I had to throw out the rule book and forget about cycles and seasons and regularity. What do you make of bobcat walking across your patio in the heat of a triple-digit day? Or why does the ocotillo sometimes bloom before it leafs out and sometimes leafs out before it blossoms? Or one ocotillo is blossoming and green while the guy next to him is a naked brown stick despite nearly identical conditions? He would say “don’t try to figure it out”. Left unsaid was “just enjoy the mystery”.
Life and death became a daily topic in this new land of extremes. As we watched every creature play out the prey and predator role, it became hard to choose sides. This was a lesson rudely learned one day when our beloved and well-fed roadrunner jumped straight up in the air to grab a hummingbird out of mid-flight and gobbled it down in an instant. We were mortified until we acknowledged it as the nature of the place.
Opportunistic is an understatement. The snakes are stealthy and the chuckwallas blow themselves up so you can’t pull them from the rocks. The myriad rodents never stop chewing and the hawks are constantly scouting. There was a daily reminder of the glory of living and the hard but ultimate truth of death. Though little margin for error exists in the desert; it also has a surprising amount of fragility.
Take the creosote and smoke tree. These tough customers epitomize the desert spirit in our area; but it took me a while to appreciate them. The smoke tree is a poor example of a tree from an Oregonian’s perspective but a glorious thing in the desert. Its blossoms rival the indigo bushes in violet blue and delicacy leaving purple pools of spent petals at their base as their blossoming finishes. Creosote flowers seem to reflect the sun and morph into little fuzzy balls that, despite my criticism of this pedestrian naming convention, I can’t help but call “desert pussy-willows”.
Both plants endure the onslaught of howling desert gales, frigid winters, and scorching summers. Yet you are hard pressed to raise them from seed or, worse, try to transplant one. They are masters of their destiny and woe to the human who tries to give them “optimal” conditions in order to control where they live in a manicured landscape.
We spent seven glorious years feeding rose blossoms to the chuckwallas, building a covey of quail that reached into the 100s, delighting in watching baby quail pop about, catching snakes, swimming naked in our seclusion, watching the bats come to drink in the evenings, getting up in the middle of the night to watch meteor showers, walking with our dog to the mailbox, listening to the mockingbird sing all night, and rescuing bees from the pool. Until he was diagnosed with lung cancer.
The eight months of treatment were a blur of hospital visits and savoring our desert home together. The deep stillness of the ancient rocks was a fitting audience for our personal drama. Each morning’s awakening to the daily business of all the creatures and plants grounded us in the realities of the unending cycle of life.
He died last spring. This spring seems to be trying extra hard to keep me focused on moving forward. My mother and sister moved in with me and watching them discover the desert has reawakened me to its abundance. They are just developing their “desert eyes” and I delight in showing them my favorite little treasures.
We’d heard that this year was expected to be a great year for wildflowers and it has come to pass. We toyed with the idea of going to Death Valley but suddenly realized that we were in the middle of our own amazing bloom. Why would we leave?
The Indigo bushes exploded with trillions of their impossibly deep blue buds leaving even the old-timers in jaw-dropping wonder. For years these bushes have been non-descript clumps of dreary sticks waiting to be transformed into vibrating violet blue blobs sagging under the weight of the blossoms. Accompanied by an equally abundant blossoming of brilliant yellow brittlebush and golden creosote, the desert triumphantly displayed Easter colors signaling a renewal that mirrored my own internal climate.
There was no record amount of rain to explain this immense fecundity. It seemed as if, after years of want, the little moisture we got above average was enough of a trigger to unleash many years’ worth of reproductive effort in the desert’s version of making hay while the sun shines!
I’m taking it all in as a giant bouquet given to me on this anniversary of his death. Each blossom and emerging leaf reminds me to ride our memories into the future.
I am so thrilled that my college roomate’s free-spirited son, Peter Wackernagel, and his traveling companion, the very smart Julia Rose Golomb, included The Number Nine as one of the stops along their trek across the southern route of the US. They arrived here after having stayed in Truth or Consequences New Mexico scoping out Branson’s space endeavors there. While I worked in my office, they used the front porch to catch up on their work; Julia completing a work project in environmental mediation and Pete polishing his article for the Montague Reporter about his space odyssey in the desert of New Mexico.
I could fairly feel Ric beaming in seeing The Number Nine being used as a way station for creative souls making their way in the world. This was his vision for this haven in the desert. The weather was heavenly and each day more flowers popped out accompanied by a concert of birdsong that at times made us crack up for its pure joyousness.
Pete and Julia inaugurated the swimming season by jumping in the pool after heating up in the sauna AND hot tub. I followed suit and found the 65 degree water temperature invigorating knowing I would be stepping out into the 90 degree afternoon heat.
Pete writes this about the desert: “The desert is exciting to me because it feels like it is between eras of time. Chronos is taking a break and the cambium of life is peeled away, allowing one to see back through time, periods and eras appearing like the rings of a tree.” Cambium – hmmm – a word not used often but in fact Ric’s exotic hardwood business name was Cambium Hardwoods – a nice synchronicity here.
Yes Pete, you get the desert and you can come back anytime you wish as long as you keep up the great cooking! And don’t forget our talk about helping me plan a squirrel proof vegetable garden for The Number Nine – maybe next year around this time?
Happy trails Pete and Julia! Best of luck in your endeavors and come back soon!
Working with wood and taking photographs compose only part of Ric and Erik Stevens’ common ground. I think they were comrades in arms in a more ethereal realm and take great pleasure when he comes to visit and brings his beautiful wife, Noriko, along. We were hoping for more wildflowers. They were only beginning to sprout though a few of the beavertail cactus buds popped and the acacia trees were in full blossom. Off we went to Noah Purifoy’s Art Museum for a high-desert photo excursion that reminded us of a memorable trip we did with Ric in the past to photograph desert trash. While Erik kept his camera clicking, Noriko and I wandered through Noah’s world marveling at the Yucca Tree blossoms and Noah’s amazing legacy. Then it was off to the Crossroads Cafe for great burgers.
What a special weekend it was for me remembering the time we spent in the pool with Ric at dusk with the bats swooping down to drink all around us. I so appreciate spending time with people I know Ric cared greatly for and who appreciate the depth of the healing power of this place. This spring is one of great anticipation as we sit on the cusp of what appears to be a prodigious wildflower bloom. The potentiality of it mirrors what I feel for the future of The Number Nine.
Erik has agreed to finish a table that Ric designed and partially executed. I found the legs Ric had hand worked and the sketch for what he intended. I gave Erik full rein to complete it with confidence in his woodworking skills and that his design sensibility aligned with Ric’s. Another great pleasure for me to have this project in the works!
Erik and Noriko, Chulo says you are invited back anytime! Consider The Number Nine a home away from home. Thank you for your visit!
ANDREA LIEN (aka Alien) designer and creator of leather work, accepted the invitation and challenge to design calfskin shades for some fluorescent lights at The Number Nine. She intuited from my very brief specifications what I was looking for and I am now happily basking in the new glow the shades give to the light.
Ric’s obsession with lighting could reach manic proportions. As every artist knows, light is essential for judging color and needs to be abundant with no shadows. I have found that I have a huge stash of different kinds of light bulbs and fixtures that Ric rigged up over the years to solve his lighting problems. The bare fluorescent bulbs worked well for him but I was finding them a little shocking and glary.
So the lights have been toned down but Andrea complied with the need to make the shades easily removed for bulb replacement and to release the light if I ever find I have the need for more!
Being an old compatriot of Ric’s from Angel’s Gate, I got great pleasure having her here to share Ric’s dream place. We had lovely conversations and non-conversations of just sharing Ric’s space and things. I drew great comfort having her working in his space knowing that this is how he would want the place used. We laughed and we cried as we connected through our memories of Ric.
Thank you Andrea! Come back soon!
October 2-4 – The brother and sister act of Raminta and Paul Jautokas, with dogs Samy and Zin, visited this past weekend and filled The Number Nine with their unique creative energies. While Raminta shares the distinction of being a tiger in Chinese astrology just like Ric; Paul is a musician, Fibonacci/Golden Mean officianado, and Frank Zappa admirer which puts him right in the core of Ric’s essence.
Raminta shared her new metal working skills and a rough draft of an exciting proposed program for coastline communities to engage in shoreline-based conservation efforts in the spirit of the Japanese concept of Sato-Umi.
Paul installed a new router that rocketed us into a new realm of computer power, enchanted us by playing his African mbira, and fascinated us with his exploration of using fractals in making music. While out hiking in one of Ric’s favorite places, Paul explained in layman’s terms the importance of these concepts that triggered Ric’s fascination with the number nine and gave me new insight into Ric’s vision.
These visits by creative souls is the essence of what Ric was envisioning for The Number Nine as a place away from everyday distractions to share ideas, try out new ideas, or let new ideas be awakened by the raw power of the desert. Paul ‘s comment that he felt Ric had quite a voice as evidenced by his paintings touched me deeply. I love that people can come to know his essence through his art.
We left much undone and all look forward to our next visit together!
Liezl Siojo ‘s plan to install a medicine wheel on the property hasn’t happened yet but that doesn’t mean it won’t. Her art keeps her busy and the Medicine Wheel idea is still cooking.
Liesl faithfully copied our Yin/Yang – Dragon/Tiger temple guardian prints into mosaics. They frame the front door of the THE NUMBER NINE to keep watch of all comings and goings. The medicine wheel will be a great companion to the already installed labyrinth in offering healing and contemplative settings on the property.
Her mosaic topics include strict portraiture and copies of images as well as imaginative interpretations based on spiritual exploration as a path to individual freedom. See more about Liezl at Piece of Your Art.
Ric met Ryan when they were in a show together in Palm Desert a few years ago. Ric was initially impressed by Ryan’s talent and sincere dedication to his career as an artist but grew to appreciate him on a higher level for Ryan’s efforts in using his knowledge and talent to encourage young people to discover and explore art. In the spirit of honoring Ric’s vision for THE NUMBER NINE and his wish to support artists in their work, I am so pleased to welcome Ryan to work here for his current efforts with the Desert Recreation District’s summer art education classes and in preparing for his November solo show at The Coachella Valley Art Scene in Cathedral City.
UPDATE! Ryan ended up finding other space to use to create his truly beautiful November 2015 show. But his spirit is a part of THE NUMBER NINE and we’ll continue our support of him in any way we can. Go Ryan – make art happen!
Ben Johnson comes to the Coachella Valley, along with his dog Eli and tarantula Mathilda, to work on his online brewer certification and check out the local craft beer outfits.
November found Ben completing the first level of the online Cicerone Certification Program and winning second place in a local beer competition for a brew he had on hand.
January has brought Ben a first place win in a California competition for a specialty beer brewed at THE NUMBER NINE. Check out Class 25 at: http://www.maltosefalcons.com/comps/2014DKM
Go Ben!
2015 Update: Sadly Mathilda has died but Ben is happily employed at the Phillipsburg Brewing Company in Montana. Go Ben!
The October full moon brought us Jan Scott trained in this ancient Mayan ritual of cleansing with water infused with flowers and tinctures that has been set under the light of the full moon. Pre-interviews with each participant allowed Jan to personalize each bath for the person’s expressed needs.
Friday night’s full moon inspired us to trek up to the Golden Temple to kick off the weekend. Jan Scott, our weekend’s leader, expressed our dream of THE NUMBER NINE more eloquently that we could have and sent prayers for it’s fulfillment. Lynne Kasal, a multi-disciplined energy healer, guided us in a full moon meditation. When we began our Lokah Samasta Sukhino Bhavantu chant the coyotes chimed in and we ended up joining their lead. A mixture of energy traditions, the scent of chopal, healing intentions, and 4 marvelous women made for a magical beginning for our weekend. As an added bonus, Ric joined us towards the end to add his special energetic intentions and round out our circle of healing.
Saturday and Sunday brought the perfect weather and temperatures. Three bathers each day had use of the sauna, spa, pool, labyrinth, and garden. Pre-interviews were conducted on the front porch with a view of the garden and the bathing was done in the citrus grove serenaded by the resident quail covey.
A grand time was had by all and THE NUMBER NINE feels further consecrated for its purpose. Many new ideas were sparked for the use of the property so we look forward to what the future brings to us.
Click spiritualbathing#9invite to view the invitation with all the details.